Caption
During ten years he spent time in the army where his various missions took him to the four corners of the world, to meet different cultures, religions, customs and peoples.
In 2001 when he returned to civilian life and visited art galleries, he felt the need to try his hand at painting and to express his travels on canvas, his emotions and his vision of the world in which he has evolved during all his years and the one in which he now lives. Guided by his experience, he mainly draws his first inspirations from the surrealist movement and from that of the new artists - generation and underground New Yorkers.
That same year he began his career as an artist by painting abstract paintings in oil and acrylic, under the impulse of his friend the painter Kamel HATTAB he exhibited for the first time in France, in Epinal, at the international city of images.
From 2002 to 2005, he still has this desire and this need to discover new horizons, so he goes back to the four corners of the globe to discover this world that fascinates and intrigues him so much.During these three years he produced no more works exept sketches and continues to familiarize himself with the world of art through exhibitions, artistic events, meetings with other artists and creators, visits to galleries and museums… He drew from the societies he worked with, as cubists did in the past.
In 2006 he moved to Ivory Coast, Abidjan, where he created a few figurative works, including a mural. Then, step by step his gaze turns towards the world around him and is deeply interested in Pop Art, Street Art, Graffiti… He also experimented collages and it was with great ease that his works were born. He does not uses in the cubist way, where the composition and the deconstruction of the object creates a new image, but to compose a story, a scene, like the graphers who parody the world in which we evolve.
Kadarik is in a constant search for balance, shapes and colors in order to transmit his vision of this changing and frenetic world, in perpetual evolution: a world of all possibilities. Since 2010, without setting aside his collages, he has been making a 180° turn by expressing himself through abstraction. This new exploration is the work on material, more abstract, or the use of the torch transforms it and gives it a very contemporary aesthetic. The supports of these canvases are various: sheet metal, plywood, canvas on frames, forex…
He uses different type of materials: newspapers, books, capsules, tires, posters, spare parts, plastics, etc.